Partial, Ambitious, and Direct was the climate of journalism in the early 1900s. As Journalism was growing and becoming more of a solidified profession, the ability to commodify it rose as well. This led to cut-throat competition between major Press Barons to gain the public’s attention and have the most readers. These characteristics of journalism as an industry during this time were displayed by Mervyn LeRoy in his movie, Five Star Final.
Whenever there were scenes of the newsroom in the film, the characters who were working ther always emphasized that their newspaper was for the public’s approval, thus appealing to their emotions. Since excitement and peaking interest was the goal, Randall and his team of journalist set out to bait the public with a sensational article about a female murderer.
In this film, Edward G. Robinson as Joseph Randall plays as the managing editor of a major newspaper that is trying to dig up dirt on an old murder case for an engaging article. The story then follows the family surrounding the murder case, and how Joseph Randall’s newspaper article affects them, and eventually himself. What’s interesting about this film is the dramatization of the use of sensationalist and yellow journalism.
It was during the investigative part of the film that the elements of yellow journalism came into play. The investigative team not only lied to get the information about the story, but also embellished what they heard, displaying their sole devotion to readership and disregard for the truth. Once the publication was made the damage was done. The lack of empathy combined with corporate greed led to a disregard for the feelings and comfortability of the family in question.
The realization of the mistake that journalist made largely impacted the characters themselves as well as the audience. In pursuit of success, they, “grew rich on filth,” which got flung right back in their faces, and they felt it.
Five Star Final ultimately spoke volumes about the power of the press. The dramatization of the effects of sensational press and yellow journalism were impactful and pointed out the responsibility of journalist to tell strictly the whole truth. That should be the goal, always.